![]() Performance of a lifetimeĪlong with nimbler editing, Premiere Pro CC offers increased performance as well, thanks to initial support for Apple Metal, the hardware-accelerated API ported from iOS to OS X El Capitan last year. A variety of presets are included, but you can create your own to cover any scenario. Projects link to these newly-created, lower-resolution files for faster playback and editing, but you can toggle back to full-resolution at any time with a single click for final mastering or export. Premiere Pro CC 2015.4 works in conjunction with Adobe Media Encoder CC to process proxies in the background so editors can get to work right away. In addition to proxy creation, users can alternately copy media to a new location or transcode to a new format a fourth option first makes a copy of the original media prior to creating proxy files. While this functionality has existed to some degree in earlier versions, the procedure has been streamlined across the board and is now easier than ever.įor starters, editors can create proxies on an individual basis or when media is first ingested, a process that happens automatically in the background with the help ofĪdobe Media Encoder CC, even as you start working with that media in a new project. ![]() The most prominent feature this year is a revamped proxy workflow, which allows users to create lower-resolution files that don’t require the additional horsepower of 4K and higher media.
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