In a minor key, the closely related keys are the parallel major, mediant or relative major, the subdominant, the minor dominant, the submediant, and the subtonic. Subdominant, dominant, supertonic, and mediant i ( parallel minor): same tonic, different key signature.vi ( submediant or relative minor ): different tonic, same key signature.V ( dominant ): one more sharp (or one fewer flat) around circle of fifths.IV ( subdominant ): one less sharp (or one more flat) around circle of fifths.iii ( mediant, the relative minor of the dominant).ii ( supertonic, the relative minor of the subdominant).Given a major key tonic (I), the related keys are: 309, modulates only to closely related keys (the dominant, supertonic, and submediant). No piece dared wander too far from its tonic key, and no piece in a four-movement form dared to present a tonality not closely related to the key of the whole series." For example, the first movement of Mozart's Piano Sonata No. For example, "One principle that every composer of Haydn's day kept in mind was over-all unity of tonality. Distant keys may be reached sequentially through closely related keys by chain modulation, for example, C to G to D. Such keys are the most commonly used destinations or transpositions in a modulation, because of their strong structural links with the home key. In music harmony, there are six of them: four of them share all the pitches with a key with which it is being compared, one of them share all except one, and one shares the same tonic. In music, a closely related key (or close key) is one sharing many common tones with an original key, as opposed to a distantly related key (or distant key). Circle of fifths showing major and minor keys.
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